sony fs5 audio inputs
There are two options for slow motion: "S&Q Motion" and "Super Slow Motion." Of these, the Super Slow Motion has a lot more options. Depending on the lens you use, the full setup can easily stay under 3 pounds. Just how well this works with the FX6 will be interesting to see because there isnt any wiggle room for reframing a 4K image given the sensor size. Continuous 120fps high frame rate recording in Full HD. ), Time Code Settings (TC PRESET/UB PRESET/TC FORMAT, Etc. However you want to shoot, the FS5 adapts to fit your style. A CUBE file (*.cube) for a 17-point or 33-point 3D LUT created using RAW Viewer or DaVinci Resolve can be used. However, those added inclusions and functionality will cost you $2500 USD more than if you buy an a7S III. The Sony FS5 II adds in mechanical 2, 4 and 6 stop ND for even quicker operation. HFR 3. HVL-LBPC light does not draw power from FS5. *S&Q from 1-60fps is available in these modes, however, it isnt available if you are outputting RAW over SDI. The larger screen is nice, but not always necessary. With 960 fps being the fastest frame rate, it also offers 240 and 480 fps. For this review we shot on two Sony U3 Class 10 SDXC I SD cards. ND auto lets you keep your ISO, shutter speed and f-stop locked and then the electronic ND will automatically make adjustments to keep your exposure correct. The work around hack is to send timecode signal at mic level instead, to an audio track: Its amazing how just a few adjustments differentiate this cameras feel so much from the FS7. However, its the heaviest and least portable camera at 5.1 pounds. First up is the Canon C200, the closest in weight to the FS5 II, though its just less than twice the weight. Posted by Vincent James on March 30, 2021 at 8:07 am My Sony FS5 Mark ii is not recording audio when I use my external Sennheiser ew G4 microphone which is connected to the XLR Input 2. Once shot, all we needed to grade the S-log3 footage was a simple LUT. In addition to the seven standard picture profiles, the FS5 II has two flavors of log: S-log2 and S-log3. Key Features Ninja V+ 5.2" 8K HDMI Recording Monitor Accessory Kit with Batteries & Charger Screen Protector, Sun Hood, Travel Case Master Caddy II, SATA III Cable Add a full monitoring and recording kit to your camera rig with this Atomos Ninja V+ Deluxe Starter Kit put together by B&H. . Even when changing resolutions and formats, the restart of the camera was quick. ), Settings for the Wi-Fi Function (CTRL W/SMARTPHONE, Etc. With this setting you will just get 2 channels from the FS5 if there is audio on both. Amazing shots are captured using a drone, gimbal, car-mount and more that really demonstrate the flexibility of this super-lightweight, modular 4K camcorder, An on-location interview with Producer Den Lennie and DoP Mick Jones reveals what impressed them most about what they call the little brother to the FS7, Den Lennie and Mick Jones use Sonys extraordinary PXW-FS5 to shoot stunning visuals from New South Wales, Australia, From sunny beach scenes in Sydney, Australia to night-time Tokyo, test footage with a variety of different lenses and exposures reveals the quality of Sonys FS5. If we were to buy this camera, wed buy it without the kit lens. The AF system is also claimed to work really well in low light situations. Given the small megapixel count, this camera will only ever be capable of recording in resolutions of 4K. The only way to get UHD 120P out of the FX9 is via the expensive and cumbersome XDCA-FX9 extension kit and record it externally to an Atomos product. This is big for shooters who need to use muscle memory and shoot by feel instead of flipping through menus. Complain all you like, but you tell me what else Sony could have done from a business perspective that made more sense. AC Adapter: 12 VDC Starting with slow pans going up to whip pans, the camera has some rolling shutter but not enough to be concerned about. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content, S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading, CBKZ-FS5HFR* enables continuous 120fps in Full HD, CBKZ-FS5RIF** enables continuous 240fps in 2K RAW and maximum four seconds of 120fps in 4K (with a suitable recorder). On paper, the FX6 offers you higher frame rates in UHD than the more expensive FX9. Sony is claiming 15+ stops of dynamic range from the FX6, but I would take that figure with a grain of salt. At ISO 12,800, the size of the noise gets larger. CFexpress was announced back in early 2019, but so far we have only seen CFexpress Type B cards being utilized. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilization workflows. We tend to expect a lot with camera releases, and sometimes that involves having unrealistic expectations. The FX6 can internally record in resolutions of up to 4K DCI. We didnt need anything too wide, so this lens worked well. The grip is wonderful to use. solid and well-built. Headphone: 1 x Stereo mini jack The location of the ND is the same in the FS7; its easy to find and the grip is textured for an easy turn. The FX6 is being aimed primarily at the same target audience that owned cameras like the FS5 and FS7. All the configurations you posted above notably dont include using input 2, where your mic is plugged in.This assumes youve got something else, like a shotgun mic, in channel 1. With a maximum bit rate of 100 megabits per second in UHD 4K, it can also capture up to 120 fps in 1080. This alone makes the FX9 a more appealing proposition for certain shooting scenarios. Add $1,300 to account for the cost of a Shogun Inferno to the FS5 IIs base cost of$4,750, and thats a total of $6,050 to get 10-bit video. The thing to be aware of is that, because of the new color science, footage from the original FS5 and the new Mark II wont match out of the box. This proprietary Sony technology significantly extends your ability to get closer to a remote scene while preserving image quality. Half the battle is being first to market and providing something your competitors dont. Reddit and its partners use cookies and similar technologies to provide you with a better experience. Or do I need to print a timecode track to the audio channel? Best Mirrorless Camera For Video: Panasonic Lumix S5 II Reviewed! The size of the camera body is surprising its smaller than you might think but this version includes in the base package both of the upgrade packs available for the original FS5. FS5 II delivers stunning slow motion imagery, including four seconds of 120fps in 4K, continuous 240fps in 2K RAW when used in partnership with a compatible third-party external recorder, such as the ATOMOS Shogun and Convergent Design Odyssey 7Q. The FS5 has 3x firmware paid upgrades. The FX6 has a lot in common with both the FX9 and a7S III, and given its feature set, it certainly does cross over right into FX9 territory. Fujifilm X-H2S review: Fujifilms affordable ProRes 6.2K beast. That stronger E-mount is also handy for using heavier-long cine-zooms without having to add additional lens support. The FX6 weighs in at 890g / 31.39oz (body only) which makes it just 60g heavier than the FS5 M2. With 14 stops of dynamic range, we were very impressed in the detail and tonal reproduction of the camera. 12.9 megapixels (total), 10.2 megapixels (effective) back-illuminated CMOS Exmor R 4K sensor. The peer to peer support community for media production professionals. Any third party loupe that works with the FX9, or the actual loupe for the FX9, will work with the FX6. Given the FX6 has Cinetone, in theory, it should match up pretty well with the FX9. It can capture CinemaDNG and ProRes 444 internally. The internal capture was good, too, but video captured externally was exceptional. Please be aware that 100/120/200/240fps are only available in the full-frame shooting mode. It also offers Optical Image Stabilization. Attaching the Microphone Compared to these two cameras in this price range, the FS5 is a greater value and offers very few weaknesses when compared to both the C-100 Mark II and URSA Mini 4.6k. The only monitoring for the camera comes in the form of the 3.5 1280720 LCD touchscreen. It now joins the FX9 and the VENICE in Sonys professional digital cinema line-up. To appease FX9 owners, Sony could possibly enable a 6K output and let you output RAW directly over SDI instead of using the XDCA-FX9. It features 14 stops of dynamic range, applicable to both raw and XAVC recording as long as S-Log is turned on, for truly filmlike rendering of highlights . FS5 II delivers stunning slow motion imagery, including four seconds of 120fps in 4K, continuous 240fps in 2K RAW when used in partnership with a compatible third-party external recorder, such as the ATOMOS Shogun and Convergent Design Odyssey 7Q. MPEG HD422 and MPEG HD420 for broadcast applications. The XLR inputs are located on the handle, so if you remove the handle you will lose those inputs. Despite offering similar sensors and a lot of similarities when it comes to frame rates and recording options, the FX6 is a video camera and not a hybrid mirrorless. In some ways releasing a camera in 2020 that can only record 4K when a lot of your competition is doing 6K and 8K might at first seem like a strange decision. When youre shooting lots of videos, you need XLR audio inputs, full manual control via external buttons and a record time limited only by the size of the media. Items that can be changed on theMain Statuswindow include: Unfortunately, it doesnt appear that you can change the white balance, ISO/Gain, ND, shutter, or Iris using the touch screen while you are on theMain Statusmenu. Page 19: Attaching The Microphone The FX6, just like the FX9, features a next-generation sensor chipset that provides much improved AF with face detection and Eye-AF. Chris Monlux Videomaker's Multimedia Editor, Some wont take advantage of the ProRes RAW option because the format can currently only be edited in Final Cut Pro X. Again there is nothing wrong with wanting to capture something in the highest quality possible, but just dont use the future proof argument. Youre probably thinking of the channels as stereo pairs, with each Those these features are available as upgrades for the original FS5, they each came with a $500 price tag. The two big changes to the camera outside of unlocking available features are the new color science borrowed from Sonys flagship Venice cinema camera and a mechanical ND filter wheel along with the very useful electronic ND. Both the FX6 and the FS5 M2 will be part of Sonys line up going forward.